Tours & Live Eras

Drake's first major headline cycle, mounted in the immediate wake of Thank Me Later's June 2010 release. The Away From Home Tour took him out of mixtape rooms and into the theater/arena tier for the first time, running across the fall of 2010 and ending at Madison Square Garden. The setlist leaned on Thank Me Later singles ('Over,' 'Find Your Love,' 'Miss Me') and So Far Gone holdovers ('Successful,' 'Best I Ever Had'), with Lil Wayne's absence (due to incarceration) heavily framing Drake as the new face of Young Money. Francis and the Lights and Mike Posner opened, helping signal Drake's pop-leaning early aesthetic. The production was relatively spare compared to what would come later — no major LED stagework, just a band, DJ, and Drake working a single elevated platform — but the demand and the rooms confirmed that the post-So Far Gone audience was sticking. The tour is now read as the inflection point where Drake moved from rap newcomer to a clear arena-ready headliner, and it directly seeded the Club Paradise scale-up two years later.

Support: Francis and the Lights · Mike Posner

Club Paradise is the tour that crystallized Drake as a generation-defining headliner. Built on Take Care, it ran roughly 60 dates across North America and Europe and packaged together the future of rap — Kendrick Lamar, A$AP Rocky, 2 Chainz, Meek Mill, and J. Cole all rotated through the bill, which in hindsight reads as one of the most loaded support packages of the 2010s. Live, Drake leaned into Take Care's late-night, melancholic palette: 'Marvins Room,' 'Headlines,' 'HYFR,' 'Take Care,' and 'The Motto' all became fixed centerpieces, with the Rihanna-less 'Take Care' becoming a crowd-led duet moment. Production stayed clean and band-driven, with Noah '40' Shebib's mixing aesthetic shaping the sonic feel of each room. The tour was widely cited by Billboard and Pollstar as one of 2012's highest-grossing hip-hop runs, and it set the architecture — heavy support roster, OVO-branded staging, hometown ACC moment — that Drake would scale up for every subsequent headline cycle. The Toronto Air Canada Centre date in particular became a recurring template for OVO hometown gravity.

Support: Kendrick Lamar · A$AP Rocky · 2 Chainz · Meek Mill · Waka Flocka Flame · J. Cole

Would You Like A Tour? was Drake's first true global arena cycle, mounted around Nothing Was the Same and stretching across roughly 95 shows in North America, Europe, and Oceania. It opened in Pittsburgh on October 18, 2013 and built into a sprawling, multi-leg run that ended in Australia and New Zealand the following year. The bill was tight and forward-looking: Miguel held R&B credibility, Future was mid-explosion, and PARTYNEXTDOOR was OVO Sound's flagship signing, all of which framed Drake as the gravitational center of a wider movement rather than a solo act. Live, the show drew heavily on 'Started From the Bottom,' 'Hold On, We're Going Home,' 'Worst Behavior,' 'All Me,' and 'Pound Cake,' alongside Take Care holdovers. Visually, this was the cycle where Drake's production design started incorporating large LED architecture and the elevated catwalk format that he would refine through 2018. The five-night Toronto ACC residency became one of the most discussed hometown stands of his career, and the tour cemented his ability to sell multi-night arena stands in major markets — a metric that, by Pollstar's tracking, put him alongside Jay-Z and Eminem in the upper tier of rap touring.

Support: Miguel · Future · PARTYNEXTDOOR

Drake vs. Lil Wayne was a co-headline amphitheater run staged in the summer and early fall of 2014, after Nothing Was the Same and before Lil Wayne's long-delayed Tha Carter V. Built around a gimmick borrowed from gaming culture — each night the crowd's reaction effectively decided who 'won' the show, with on-screen graphics and joystick imagery framing the battle — it ran approximately 31 dates across North American sheds and arenas. Musically, it functioned as a celebration of the mentor/protégé relationship: 'The Motto,' 'HYFR,' 'Believe Me,' and 'Right Above It' were treated as shared territory, and the back half of each night escalated into a joint set with both artists trading verses on Young Money staples. YG opened most dates, riding the My Krazy Life cycle. Critics noted the format had built-in chemistry but also surfaced the generational shift — Drake had clearly outpaced Wayne commercially by then, even if Wayne remained the louder live performer. The tour stands as the last major Drake / Wayne co-billed run before their relationship cooled around the Cash Money / Birdman fallout.

Support: Lil Wayne · YG

The Jungle Tour was a compact 11-show run staged in summer 2015 to support If You're Reading This It's Too Late, the mixtape Drake had dropped without warning in February. Named after the IYRTITL short film and the song 'Jungle,' it was deliberately tight — just over two weeks, top-five North American markets only — and emphasized the colder, harder Drake of the post-Wayne, pre-Views moment. Future opened most dates, off the back of DS2 and just before What a Time to Be Alive (which Drake and Future would release in September), and Travis Scott also opened select shows during his Rodeo build. The Jungle setlist leaned on '6 God,' '10 Bands,' 'Energy,' 'Know Yourself,' 'Used To,' and 'No Tellin'' alongside a few Take Care anchors. Production was stripped back — a single elevated stage, minimal video, heavy use of low-end and red lighting — designed to mirror the cold, paranoid aesthetic of the mixtape itself. The tour functioned as a bridge cycle: it kept Drake in arenas in 2015 without the cost of a full Views rollout, and it directly set up the Future co-billing chemistry that would anchor Summer Sixteen the next year.

Support: Future · Travis Scott

Summer Sixteen was the co-headline arena run with Future that effectively scored Drake's commercial peak. Running from July to October 2016 across roughly 54 North American dates, it was built on the simultaneous gravity of Views (then in the middle of a record-breaking Billboard 200 run), What a Time to Be Alive, and Future's EVOL. The staging was the most ambitious of Drake's career to that point: a centerpiece stage with a hydraulic platform that lifted Drake above the floor, a globe motif tying into Views' Toronto-as-world iconography, and integrated screens cycling Toronto skyline shots. The setlist alternated between Drake solo sets, Future solo sets, and shared cuts ('Jumpman,' 'Big Rings,' 'Diamonds Dancing,' 'Scholarships'), with each artist sometimes returning for the other's encore. OVO Sound deepened the bill: Roy Woods and DVSN opened to introduce the label's R&B side, and ILoveMakonnen rotated through select dates. The tour was repeatedly cited in Billboard Boxscore as one of 2016's top-grossing rap tours and was instrumental in establishing Drake's ability to do multi-night stands in MSG, ACC, and Staples — a touring footprint typically reserved for legacy pop acts.

Support: Future · Roy Woods · DVSN · ILoveMakonnen

Boy Meets World was Drake's first dedicated international cycle — an arena tour built around More Life, the playlist project that leaned hardest into UK grime, Afrobeats, and dancehall influences. It opened in Amsterdam in January 2017 and ran across UK, European, Australian, and eventually South African dates, totaling 58 confirmed shows. The London O2 residency (seven nights across the tour's life) was the centerpiece: each night drew on Drake's deep UK fanbase and surfaced 'KMT,' 'No Long Talk,' 'Skepta Interlude,' and 'Get It Together,' with Skepta and Giggs making in-person appearances at various O2 dates. The setlist as a whole drew heavily from More Life, Views, and IYRTITL, with band-led arrangements warming up the colder mid-decade Drake sound. Staging featured an elevated catwalk over a star-shaped projection floor and a giant prop sphere that mirrored More Life's globe iconography. The South African leg in early 2018 was framed by local press as Drake's first proper African shows, and the tour overall is credited with cementing his standing in the UK and Europe at the exact moment Afrobeats and grime were crossing over to American mainstream.

Support: Roy Woods · DVSN

Aubrey & The Three Migos was the Scorpion-era North American arena run, named after Drake's first name and the Migos' Quavo, Offset, and Takeoff. It launched in Salt Lake City on July 26, 2018 and ran across roughly 64 dates through mid-November, becoming one of the largest-grossing rap tours of the late 2010s. Reported gross approached $80 million per Billboard Boxscore, with multi-night stands in MSG, Scotiabank Arena, Staples / The Forum, and the United Center. The staging was the most theatrical of Drake's career to that point: a large rectangular LED floor that became the show's signature visual centerpiece, a hovering Ferrari prop for 'Started From the Bottom,' a basketball court sequence, and a 'sky' segment where lights mimicked a star field above the crowd. The setlist drew aggressively from Scorpion's both sides — 'Nice for What,' 'In My Feelings,' 'God's Plan,' 'Nonstop' — alongside Take Care, Views, and More Life anchors. Migos sets ran tight on Culture and Culture II material. The tour also marked Drake's first full headline cycle after the Pusha T 'The Story of Adidon' fallout, and the live show was carefully constructed to reassert scale without re-engaging the beef directly.

Support: Migos

Assassination Vacation was the European-only follow-up to Aubrey & The Three Migos, mounted in the spring of 2019 to extend the Scorpion cycle in markets that hadn't been served by the North American leg. Named in homage to the Sarah Vowell book and the 'Going Bad' Meek Mill collab line ('Soon as I touch down in London / I link with Tunde, the dawg'), it focused tightly on the UK and continental Europe, with multi-night stands at London's O2 and arena dates across Paris, Manchester, Birmingham, Antwerp, and Berlin. Tory Lanez opened. The setlist mirrored the Aubrey & Three Migos show but with extra weight on UK-coded material — 'Get It Together,' 'Passionfruit,' 'No Long Talk,' 'KMT' — and a heavier rotation of grime guest spots, including a notable Headie One brought-out moment at one of the O2 nights. Production was a scaled, condensed version of the Aubrey staging, with the LED floor retained but the venue size trimmed to arena-only. Reviews in NME and The Guardian noted the tour effectively closed the Scorpion era live and treated London as a second home base — a framing that paid off when Drake later relocated significant portions of his 2020s creative work toward UK-coded sound.

Support: Tory Lanez

It's All a Blur is the late-catalog arena retrospective that started as a 21 Savage co-headline run in summer 2023 — billed off Her Loss and timed to For All The Dogs's October release — and then continued in early 2024 as 'It's All a Blur Tour — Big as the What?' with J. Cole replacing Savage as the co-bill. Across both legs, the tour played roughly 79+ shows in North America, with multi-night residencies in every major Drake market (Toronto, NYC, LA, Chicago, Atlanta, Miami). The staging was the most ambitious of Drake's career: a kinetic sculpture rig of suspended objects (a Ferrari, a basketball, a tractor, life-size figurines) descended over the crowd during the show's mid-section, and a long catwalk extended to a B-stage that pushed Drake into the upper-bowl proximity. The setlist functioned as a career medley — Take Care, Nothing Was the Same, Views, Scorpion, CLB, and For All The Dogs cuts all rotated — with Savage taking the back-half spotlight on the 2023 leg (her loss material like 'Rich Flex,' 'On BS,' 'Major Distribution') and Cole anchoring the 2024 leg (joint moments on 'First Person Shooter'). Billboard Boxscore reported the tour grossing in the upper nine-figures range, placing it among the highest-grossing rap tours ever documented. The cycle ultimately served as the live framing for the Kendrick Lamar / Drake exchange that began mid-tour in March 2024.

Support: 21 Savage · J. Cole

The $ome $exy $ongs 4 U Tour was the joint Drake / PARTYNEXTDOOR cycle mounted around their February 2025 collaborative album of the same name. With the post-Kendrick narrative still active in North America, Drake routed the tour outside the US — running across Australia, the UK, and continental Europe — and treated the live show as a deliberate reset onto the R&B side of his catalog. PND took the first portion of each night with his own catalog and joint cuts, then Drake entered for a long solo segment before they reunited for the SS4U material ('NOKIA,' 'GIMME A HUG,' 'CALLING FOR YOU'). The setlist intentionally underweighted the 2024 Kendrick-cycle material and overweighted the R&B and OVO Sound canon — 'Marvins Room,' 'Passionfruit,' 'Hold On, We're Going Home,' 'Take Care,' 'Get It Together,' 'Houstatlantavegas.' Staging was a step down in budget from It's All A Blur, focused on a single elevated platform, intimate lighting, and a band-led arrangement, framing the cycle as a deliberate move toward smaller-but-deeper rooms after the post-2024 noise. UK reviews noted the O2 multi-night residency was the strongest London-coded Drake material since Boy Meets World.

Support: PARTYNEXTDOOR

OVO Fest is Drake's Toronto-anchored festival platform, launched in 2010 as a hometown event tied to Canada Day / Caribana weekend and built around the OVO brand. It has run irregularly across years but has consistently functioned as a surprise-guest showcase that operates more like a curated set of cameos than a conventional festival. Notable surprise-guest moments include Eminem (2010), Stevie Wonder (2010), Jay-Z (multiple years), Rihanna (multiple years), Kanye West (2014, where he debuted material from what became The Life of Pablo), Lauryn Hill (multiple years), Frank Ocean, The Weeknd (pre-falling-out), and a 2018 set widely read as Drake's response to the Pusha T fallout. The 2022 Young Money Reunion event (Drake + Lil Wayne + Nicki Minaj) functioned as an OVO Fest centerpiece in a year without a traditional tour. Beyond its function as a live event, OVO Fest is Drake's primary mechanism for hometown brand-building — pairing the festival with charity work, Raptors-adjacent appearances, and OVO Sound roster spotlights — and has become a recurring data point in any read of his Toronto / Canadian footprint.

There was no traditional Honestly, Nevermind world tour — Drake instead anchored the album's live moment around an OVO Fest 2022 weekend in Toronto that became one of the most-discussed standalone live events of his career. The centerpiece was the August 1, 2022 Young Money Reunion show at Budweiser Stage and Scotiabank Arena, which after a weather-delayed false start finally landed with Drake, Lil Wayne, and Nicki Minaj sharing a stage for the first time in years. Across the weekend, Drake also previewed Honestly, Nevermind's house and Jersey club material live for the first time — 'Sticky,' 'Massive,' 'Falling Back,' 'Jimmy Cooks' with 21 Savage as a surprise guest — alongside a catalog medley. Chris Brown joined for a 'No Guidance' segment that drew major attention. The event functioned as a hybrid festival/residency, with multiple nights of different programming, and OVO framed it explicitly as a substitute for a full headline tour during a year when Drake was prioritizing release cadence (Honestly, Nevermind in June 2022, Her Loss in November) over road work. The Young Money Reunion footage was later partially released by OVO as a streaming concert film.

Support: Lil Wayne · Nicki Minaj