Collaborators
FEATURED ARTISTS
40+ collaborators across Drake's discography — 55 artists across 376 songs
Top Collaborators
3+ songs
21 Savage moved from one-off Drake collaborator to full creative partner across a remarkably short window. Their first major link was 'Sneakin'' in 2016, an early Drake co-sign that helped push the Atlanta rapper into mainstream rotation. They reconnected on 'Mr. Right Now' from Savage Mode II in 2020, then on 'Knife Talk' from Certified Lover Boy in 2021, before delivering a full joint album, Her Loss, in 2022. Her Loss debuted at number one on the Billboard 200 and made 21 the rare guest collaborator promoted to album co-headliner in Drake's catalog. The pair toured together on the It's All a Blur tour in 2023, and 21 frequently appeared at Drake shows. Stylistically the partnership pairs Drake's restless melodic shifts with 21's flat, menacing deadpan, a contrast both artists have used to push their writing further. The two have publicly described each other as close friends, and 21's continued presence in OVO orbit makes him one of Drake's most prominent post-2020 collaborators.
Future and Drake built one of the defining hip-hop partnerships of the 2010s, anchored by the joint mixtape What a Time to Be Alive in 2015, a project assembled quickly in Atlanta during a single recording stretch and released as a surprise. Their collaboration trail also includes 'Tony Montana' in 2011, 'Where Ya At' on Future's DS2, 'Used to This,' 'Life Is Good' in 2020 (a number-two Billboard Hot 100 single), and 'Way 2 Sexy' on Certified Lover Boy. The pair appeared inseparable across the mid-2010s, sharing tours, songs, and public friendship. That dynamic shifted dramatically in 2024, when Future's joint album with Metro Boomin, We Don't Trust You, included Kendrick Lamar's 'Like That', a track widely reported as the opening salvo of the Kendrick-Drake feud, and one Drake himself addressed as a betrayal in his subsequent responses. The fallout, as publicly reported, ended one of the most productive Drake collaborations of the decade and reframed years of catalog in a new light.
Trey Songz and Drake collaborated extensively in the early phase of Drake's career, anchored by 'Successful' from So Far Gone in 2009, which became one of Drake's first commercial successes and Trey Songz's biggest collaboration of that era. They followed with 'I Invented Sex (Remix),' 'Replacement Girl,' and additional tracks across mixtapes and Trey Songz's albums Ready and Passion, Pain & Pleasure. Their early partnership was foundational for Drake's R&B-leaning melodic style - Trey Songz was an established R&B star when Drake was still a mixtape rapper, and their pairing helped legitimize Drake's vocal performance ambitions at a moment when rappers singing was still treated skeptically. Their direct collaboration slowed after the early 2010s as Drake's career eclipsed Trey Songz's commercially, but the So Far Gone-era records remain among the most influential R&B-rap collaborations of Drake's early discography.
Travis Scott and Drake have collaborated extensively across the 2010s and 2020s, including 'Company' on Drake's Views, 'Sicko Mode' on Travis's Astroworld in 2018 - one of the era's defining streaming hits, which reached number one on the Billboard Hot 100 - and 'Portland,' 'Way 2 Sexy,' and 'Meltdown' on Travis's Utopia in 2023. Travis has repeatedly cast Drake as a structural influence on his approach to album construction and feature curation, and the two have toured together and appeared at each other's shows for years. Their partnership navigated significant external pressure during the broader 2024 events involving Future and the Kendrick Lamar feud, when 'Meltdown' on Utopia included a Drake verse that became one of the most-discussed moments of the lead-up to that conflict. As publicly reported, both artists handled the moment differently in interviews and public appearances, with their direct collaboration history continuing to anchor their catalogs.
Lil Wayne is the foundational figure in Drake's career: he signed Drake to Young Money in 2009 after hearing the So Far Gone mixtape, mentored him through Thank Me Later and Take Care, and has appeared on every Drake studio album from Thank Me Later through For All The Dogs. Their on-record history includes 'Miss Me,' 'The Motto,' 'HYFR (Hell Ya F***ing Right),' 'Believe Me,' 'Grindin'' on No Ceilings 2, and dozens of mixtape cuts, joint shows, and freestyles. The 2014 'Drake vs. Lil Wayne' tour cast the two as friendly competitors performing each other's catalogs in head-to-head sets. Wayne has publicly described Drake repeatedly as the artist who carried Young Money into its most commercially successful era, while Drake has consistently credited Wayne as the figure who gave him his first major-label deal and earliest cosigns. Their partnership is unique in Drake's catalog: the only mentor relationship that runs the entire arc of his major-label career.
PARTYNEXTDOOR is the inaugural artist signed to OVO Sound in 2013 and one of Drake's most influential creative collaborators. The Mississauga-raised singer-producer has contributed writing and vocals to landmark Drake records including 'Legend,' 'Preach,' 'With You,' 'Wu-Tang Forever,' 'Loyal,' and 'Come and See Me' across If You're Reading This It's Too Late, Views, and More Life. He is widely credited as the architect of the moody, post-Weeknd OVO sound that defined Drake's mid-2010s era. The collaboration culminated in their joint album $ome $exy $ongs 4 U in 2025, a long-rumored project that finally appeared after more than a decade of friendship and intermittent shared releases. PARTY's writing credits extend well beyond his own features - he is credited as a co-writer on Rihanna's 'Work,' which Drake also appears on - making him a structural figure across multiple parts of Drake's catalog. His sound shaped the template that later artists in Drake's orbit, including dvsn and Roy Woods, would build on.
Sexyy Red and Drake connected on 'Rich Baby Daddy' from For All The Dogs in 2023 - alongside SZA - and on 'U My Everything' from her Hood Hottest Princess mixtape that same year. Drake publicly co-signed the St. Louis rapper repeatedly across 2023 and 2024, including bringing her out at shows and referring to her in interviews as one of his favorite new artists. The collaboration helped elevate Sexyy Red from regional viral phenomenon to mainstream chart presence, and 'Rich Baby Daddy' became a TikTok-driven hit that pushed her into Billboard Hot 100 rotation. Their partnership represents a continuation of Drake's pattern of early co-signs of artists at the moment of their commercial inflection point, and the collaboration sits within the broader 2023 Drake era of more confrontational, club-oriented records emphasizing trap and party production over the introspective sound of earlier albums.
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Nicki Minaj and Drake were both signed to Young Money during the label's late-2000s and early-2010s commercial peak, and their on-record history together is one of the most extensive in his catalog. They appear together on 'Up All Night,' 'Make Me Proud,' 'Truffle Butter' with Lil Wayne, 'Only,' 'Moment 4 Life,' and many other tracks across her albums Pink Friday, Pink Friday: Roman Reloaded, The Pinkprint, and Queen, as well as Drake's projects and Young Money compilations. Their dynamic on songs and in public has long blurred friendly chemistry with playful flirtation, a tension they leaned into for years before becoming more distant publicly in the late 2010s amid widely reported tensions involving Drake and Lil Wayne's then-business situation. They reunited in the early 2020s on Young Money compilation tracks and on Nicki's Pink Friday 2, and Minaj has consistently been cited as one of Drake's longest-running creative partners.
Drake and Rihanna's musical history spans some of the era's biggest pop-rap hybrids: 'What's My Name?' in 2010, 'Take Care' in 2011, 'Too Good' in 2016, and 'Work' in 2016 - which spent nine weeks at number one on the Billboard Hot 100. Their personal relationship has been publicly discussed but never officially confirmed by either artist, including during Drake's 2016 MTV Video Music Awards Vanguard introduction speech where he spoke about her at length. They appeared together onstage repeatedly over the years and their songs together are anchored by genuine vocal chemistry that helped 'Work' become one of the defining records of the dancehall-influenced 2016 pop landscape. Drake has appeared on her album ANTI and she on his Take Care and Views, making theirs one of the most successful chart partnerships in either catalog. Their on-record output slowed sharply after the mid-2010s as both artists shifted focus, but the catalog they built together remains commercially central to both of their careers.
SZA appeared on Drake's 'Slime You Out' in 2023, the lead single for For All The Dogs, which debuted at number one on the Billboard Hot 100. The collaboration arrived more than a decade after SZA had reportedly briefly interacted with Drake earlier in their careers - a topic referenced in her own lyrics on 'Mr. & Mrs.' from SOS and that drew significant public commentary during the song's release window. 'Slime You Out' framed her vocal as the song's emotional anchor against Drake's more abrasive verses, continuing his pattern of highlighting a featured R&B vocalist's voice as the structural core of a record. The collaboration represented SZA's growing visibility as one of the dominant R&B voices of the early 2020s following her album SOS, and brought together two of the streaming era's most-consumed catalogs for what became one of For All The Dogs's most-streamed tracks.
Young Thug and Drake's collaboration history includes 'Sacrifices' on More Life in 2017 - alongside 2 Chainz - and 'Way 2 Sexy' on Certified Lover Boy in 2021, plus features across Thug's mixtapes and Slime Language compilations. Drake has publicly cited Young Thug as one of the most influential rappers of his era and an artist whose melodic experimentation paralleled Drake's own genre-blurring vocal approach. Their partnership ran most actively across the late 2010s and early 2020s before Young Thug's 2022 RICO arrest in Atlanta and subsequent extended legal proceedings limited his recording activity. Drake repeatedly voiced public support during Thug's incarceration, including on records and in interviews, and the two reconnected after Thug's late-2024 plea agreement and release. Their collaboration represents one of Drake's clearest creative bridges into the Atlanta melodic-trap scene that defined the second half of the 2010s.
2 Chainz has been one of Drake's most reliable Atlanta partners since the 'No Lie' era in 2012, a single from Based on a T.R.U. Story that became 2 Chainz's commercial breakout and showcased the chemistry of his blunt punchline style against Drake's melodic taunting. Their pairing extended through 'All Me' on Nothing Was the Same alongside Big Sean, which became one of the era's defining flex anthems, and 'Big Amount' on Pretty Girls Like Trap Music in 2017. Drake also appears on 'Bigger Than You' from 2 Chainz's album Rap or Go to the League. The two have spoken publicly about their friendship in interviews and on songs, with 2 Chainz often cast as the seasoned veteran trading verses with Drake's chart-topping presence. Their partnership reflects Drake's long-running affinity for Atlanta artists outside the Young Money pipeline, and 2 Chainz's verses on Drake records consistently lean into self-mythologizing wealth talk that complements rather than competes with the host.
Alicia Keys connects to Drake's catalog primarily through the remix of her single 'Un-Thinkable (I'm Ready),' on which Drake added a guest verse early in his career. The pairing placed the then-rising Young Money rapper alongside an established multi-Grammy-winning R&B and piano-driven soul artist who had emerged in the early 2000s with Songs in A Minor. The collaboration arrived during Drake's Thank Me Later era, when his melodic, emotionally direct style was still being defined, and a feature opposite an artist of Keys's stature functioned as a meaningful mainstream R&B co-sign. Their direct on-record output together remained limited, but the 'Un-Thinkable' remix is the durable, widely documented link between the two catalogs and reflects Drake's longstanding pattern of pairing his rap verses with prominent, vocally driven R&B artists as he transitioned from mixtape rapper to crossover star.
Big Sean and Drake came up in adjacent lanes - Sean signed to Kanye West's GOOD Music, Drake to Young Money - and their early collaboration on 'All Me' from Nothing Was the Same in 2013, alongside 2 Chainz, became one of the defining hip-hop posse cuts of the decade. They had paired earlier on Sean's 'So Much More' and reunited on tracks like 'Live This Life' and 'Blessings' from Sean's Dark Sky Paradise in 2015, which became a top-ten hit. Drake also appeared on 'Big Bidness' from Sean's I Decided in 2017. The relationship has been characterized by public mutual respect, with Sean repeatedly crediting Drake as a peer who pushed him to elevate his verses. While their collaboration pace slowed in the late 2010s as Sean focused on solo projects and Drake's roster expanded, 'Blessings' and 'All Me' remain era-defining records that demonstrated how Drake's hooks could anchor another star's biggest moments.
Central Cee linked with Drake on 'On the Radar Freestyle' in 2024, a track that became one of the year's most discussed rap moments and gave the UK drill star his biggest American-market collaboration to date. Drake had publicly co-signed Cench for years, posting his music on Instagram and showing up at his London shows, and the freestyle's casual format - sharing verses over a single instrumental - emphasized how comfortable the two had become together. The collaboration extended Drake's long-running engagement with UK rap, a thread running through his work with Giggs, Skepta, and Headie One. For Central Cee, the Drake co-sign came at the peak of his commercial ascent, immediately following 'Sprinter' with Dave. The freestyle was widely covered as one of the most-streamed rap releases of its release window, and continues to feature in the conversation about Drake's role as a transatlantic curator who repeatedly elevates UK artists into US rotation.
Chief Keef's connection to Drake's catalog dates to 2012, when Drake recorded a verse for a remix of Keef's breakout single 'I Don't Like,' a track that helped define Chicago's drill movement during its national emergence. The pairing matched a teenage Chicago drill pioneer with Drake at the height of his Take Care-era ascent, and the episode was widely covered as an early example of Drake engaging directly with the drill sound that would later influence broad swaths of rap. The collaboration was reported at the time to involve some behind-the-scenes friction over its handling, and the two did not become recurring studio partners. Still, Keef's foundational role in drill and Drake's documented early interest in the style make the 'I Don't Like' remix a notable historical link, and Drake has continued to draw on drill textures across his later catalog, reflecting the lineage Keef helped originate.
Giggs is one of Drake's most consistent UK collaborators, going back to the More Life era. Drake brought the South London rapper onto 'KMT' and 'No Long Talk' on More Life in 2017, both of which introduced Giggs to a much larger US audience and helped cement Drake's reputation as a curator of UK rap. The two have continued to appear together over the years on various features and remixes, and Drake has publicly praised Giggs as an artist he respects deeply, repeatedly citing him as a foundational figure in UK rap. Their work together preceded Drake's deeper engagement with the British scene through Skepta, Headie One, and later Central Cee, and Giggs's gravelly, unhurried delivery remains one of the more distinctive voices Drake has hosted on his albums.
Giveon's collaboration with Drake on 'Chicago Freestyle' from Dark Lane Demo Tapes in 2020 was a star-making feature for the young Long Beach baritone, who at the time had only released a handful of independent singles. The track interpolates Eminem's 'Superman' and uses Giveon's voice as both hook and emotional anchor. The Drake co-sign accelerated Giveon's rise to wider R&B prominence, contributing to the trajectory that led to his Grammy nominations and 'Heartbreak Anniversary.' The two have spoken publicly about the collaboration, with Giveon describing the Drake DM that led to the feature in interviews. Their partnership represents Drake's ongoing pattern of debuting promising R&B vocalists to a mainstream audience early in their careers, a thread that connects The Weeknd, PARTYNEXTDOOR, Bryson Tiller, and Giveon across more than a decade.
J. Cole and Drake have circled each other since their parallel ascents in 2009, when both were the year's most-watched new rappers. Their on-record collaborations took years to land - culminating in 'In the Morning' on Cole's Friday Night Lights and the Cole-featured tracks in the late 2010s - but the most consequential moment came on 'First Person Shooter' from For All The Dogs in 2023, where Cole referenced the Big Three of himself, Drake, and Kendrick Lamar. The line set off the chain of events leading to Kendrick's 'Like That' response in 2024. Cole released 'Might Delete Later' that same year, which included '7 Minute Drill' targeting Kendrick, before publicly apologizing at his Dreamville Festival days later and removing the song from streaming services. Cole's stepping away from the feud reframed the entire 2024 rap conversation around Drake and Kendrick alone, and his relationship with Drake remained outwardly intact through the fallout.
Jhene Aiko's most prominent link to Drake's catalog is 'From Time,' a duet on Nothing Was the Same in 2013 on which her airy, conversational vocal serves as the song's emotional centerpiece against Drake's reflective verses. The track became one of the album's most enduring deep cuts and a defining example of Drake structuring a song around a featured R&B singer's voice rather than a conventional rap hook. The collaboration arrived as Aiko was rising on the strength of her Sail Out EP and her work in the broader Los Angeles R&B scene, and the Nothing Was the Same placement significantly raised her mainstream visibility. 'From Time' fits squarely within Drake's recurring practice of debuting or elevating melodic R&B vocalists alongside his own catalog, a thread that connects artists like PARTYNEXTDOOR, Giveon, and Aiko, and it remains the clearest, well-documented point of contact between the two.
Kanye West has been both an influence and an intermittent collaborator across Drake's career, from Drake's early acknowledgment of 808s & Heartbreak as a foundational text for his melodic rap style. They appeared together on 'Pop Style' from Views in 2016, though as widely reported the final album version omits Kanye's full verse, with only a brief vocal contribution remaining. The pair shared the stage at the 2021 Free Larry Hoover benefit concert in Los Angeles, a moment publicly framed as a reconciliation after years of distance and intermittent public friction. Their relationship has cycled through periods of mutual admiration and reported tension across more than a decade, with Drake repeatedly citing Kanye's production and writing on early albums as a key influence on his own approach. Kanye remains a structurally important figure in Drake's artistic lineage even when their direct collaboration count stays small.
Kyla is the British R&B vocalist whose 2008 single 'Do You Mind' provided the central sample and hook for Drake's 'One Dance' on Views in 2016. 'One Dance,' featuring Kyla and Wizkid, became Drake's first number-one single on the Billboard Hot 100 and one of the biggest songs of the streaming era, spending ten weeks at number one in the US and topping charts globally. Kyla's vocal - lifted and re-recorded for the track - gave 'One Dance' its hypnotic, dancehall-tinted core, and the song's success reintroduced her to a global audience nearly a decade after her original release. The collaboration is one of the clearest examples of Drake's curatorial ear for sampling underground UK and Caribbean records and elevating them to mainstream ubiquity, and it crystallized the genre-fluid pop-rap-dancehall sound that defined the Views era.
Lil Baby became one of Drake's most significant late-2010s Atlanta collaborators, beginning with 'Yes Indeed' in 2018, a single that reached the top ten of the Billboard Hot 100 and marked a major commercial breakthrough early in Baby's career. The Drake co-sign accelerated Baby's rise from Atlanta mixtape rapper to mainstream chart fixture during one of the most prolific stretches in modern trap. The two reconnected on 'Wants and Needs' from Drake's Scary Hours 2 in 2021, another high-charting release, alongside additional shared tracks across both artists' catalogs and Atlanta-centered projects. Their partnership reflects Drake's longstanding pattern of pairing with the most commercially ascendant new Atlanta artist of each cycle, a lineage that runs through Future, Lil Baby, and others. Baby's flat, melodic delivery offered a contrast to Drake's elastic flows, and their collaborations rank among Drake's most consistent guest-feature relationships of the period.
Lil Yachty has shifted from young Atlanta novelty rapper to one of Drake's closer creative confidants, particularly across the late 2010s and early 2020s. Their on-record collaborations include 'Oprah's Bank Account' in 2020 - a single from Yachty's Lil Boat 3 that imagined a sketch-style fantasy of generational wealth - and Yachty has been credited as a co-writer and creative collaborator on Drake projects, most notably contributing writing credits on Honestly, Nevermind in 2022. Yachty publicly defended Drake during the 2024 Kendrick Lamar feud, and the two have appeared together socially and on Yachty's podcast 'A Safe Place.' Their dynamic reflects Drake's pattern of growing close to younger artists he co-signs early - Yachty was a teenage rapper when Drake first acknowledged his music - and the partnership has evolved into one of the more behind-the-scenes creative friendships in Drake's recent catalog.
Loe Shimmy appears in the Drake catalog as a guest or collaborative-track presence within the broader rap network surrounding Drake's recent output. Reliable, well-established public information about the specific nature of this connection is limited, so this profile intentionally avoids attributing particular songs, dates, or biographical claims that cannot be confidently verified. What can be said is that the artist sits among the wider set of collaborators and featured voices documented in this catalog dataset, reflecting Drake's continued and frequently shifting engagement with newer and adjacent rap artists. Rather than constructing an unsupported narrative, this entry is kept deliberately conservative: the connection is catalog-level, and any deeper account of the collaboration would require sourcing beyond what is dependably known here.
Majid Jordan are the Toronto duo of Majid Al Maskati and Jordan Ullman who signed to OVO Sound in 2013 after Drake heard their early SoundCloud demos. Their commercial breakthrough came on 'Hold On, We're Going Home' from Nothing Was the Same in 2013, which they co-wrote and on which Jordan contributed production - the song hit number four on the Billboard Hot 100 and became one of Drake's most enduring crossover hits. They have since released multiple albums on OVO Sound, including the self-titled Majid Jordan and The Space Between, while continuing to contribute production and writing to Drake's records intermittently. The duo's smooth, synth-driven R&B sound helped define the early OVO Sound aesthetic alongside PARTYNEXTDOOR, and their continued presence on the label makes them one of the longest-running creative relationships in Drake's orbit.
Michael Jackson appears in Drake's catalog through 'Don't Matter to Me' on Scorpion in 2018, which features a previously unreleased Jackson vocal sourced from an archived 1980s recording session. The song was framed as a posthumous duet, with Jackson's estate cooperating on the release. The track became a top-ten hit on the Billboard Hot 100 and prompted significant public discussion about the use of archival vocals from deceased artists. Jackson is not a peer collaborator but rather a sample-source presence in Drake's discography, and one Drake has repeatedly cited in interviews as a foundational influence on his approach to vocal performance, melody, and pop crossover ambition. The Scorpion track remains the clearest direct link between Drake's catalog and Jackson's, framed in production as an estate-sanctioned tribute and reissue of unreleased material rather than a contemporary collaboration.
Molly Santana appears in the Drake catalog as a guest or collaborative-track presence within the wider rap and R&B network around Drake's recent work. Reliable, widely established public information about the specific details of this connection is limited, so this profile deliberately refrains from asserting particular songs, release dates, or biographical specifics that cannot be confidently confirmed. The artist is included among the broader set of featured voices and collaborators captured in this catalog dataset, consistent with Drake's ongoing and frequently changing engagement with newer and adjacent artists. In keeping with a verifiable-only standard, this entry is kept intentionally conservative: the link is catalog-level, and a fuller account of the collaboration would depend on sourcing beyond what is dependably known here.
Playboi Carti connects to Drake's catalog through the broader contemporary rap network in which both artists have operated, with Drake having publicly engaged with Carti's music over the years as part of his ongoing attention to the most attention-getting new voices in rap. Carti rose through the late-2010s Atlanta scene and built a distinctive, ad-lib-driven, minimalist style that became highly influential on a younger generation of artists - a sound adjacent to the rage and melodic-trap currents Drake has periodically incorporated into his own work. Because some widely circulated accounts of specific Drake-Carti tracks involve leaked or unverified material, this entry refrains from asserting particular collaborations that cannot be reliably confirmed. What is dependable is the catalog-level adjacency: both occupy overlapping orbits in modern rap, and Drake's documented pattern of co-signing and pairing with cycle-defining new artists situates Carti within that broader, well-established dynamic.
Popcaan is the Jamaican dancehall artist whose collaboration with Drake stretches back to 2014, when his vocals appeared on a sampled version of 'Controlla' that was widely circulated before being officially replaced on the Views release. Drake later signed Popcaan to OVO Sound, and the two have collaborated on tracks including 'My Chargie' and other features on Popcaan's albums Forever and FIXTAPE. Drake has consistently incorporated dancehall textures into his sound - most prominently on 'One Dance,' 'Controlla,' 'Too Good,' and 'Hotline Bling' - and Popcaan is a key reason he had credibility doing so. Their partnership is one of the clearest examples of Drake using OVO Sound as a launchpad for international voices, alongside his signings of UK and Toronto artists. Popcaan and Drake have appeared together on shows and in social media throughout the OVO Sound era.
Project Pat is a foundational Memphis rapper, closely associated with Three 6 Mafia and the Hypnotize Minds camp, whose drawling cadence and Southern slang were enormously influential on the generation of trap and melodic-rap artists that shaped Drake's broader sound world. His connection to Drake's catalog is best understood through that lineage and through documented sampling and interpolation of his work within the wider rap canon Drake's music draws on, rather than through a conventional peer feature. Drake has long engaged with Memphis and Three 6 Mafia influences across his career - a thread audible in his bounce-inflected and chopped textures - and Project Pat sits at the historical root of that style. Because precise claims about any single Drake-Pat track should not be asserted without reliable sourcing, this entry frames the relationship as a catalog-level, influence-and-lineage connection: Project Pat as a senior Southern figure whose stylistic DNA runs through the broader era Drake's music inhabits.
Quavo and Drake collaborated extensively across the late 2010s, most notably on Migos's 'Versace' remix in 2013 - which Drake hopped on freely and which helped break Migos into national rotation - and on 'Walk It Talk It' from Migos's Culture II in 2018, which became a top-twenty Billboard Hot 100 hit. Drake also appeared on tracks across the Huncho Jack, Jack Huncho project orbit with Travis Scott and Quavo. The partnership cooled significantly after a reported personal falling out, and Quavo publicly took shots at Drake in his 2024 releases following the deaths and personal upheavals affecting Migos. As publicly reported, the tension included disputed business and personal matters, and the on-record Drake-Quavo collaboration count effectively stopped in the early 2020s. Their earlier work together remains a key example of how Drake's co-signs accelerated the Atlanta trio's rise into mainstream stardom in the mid-2010s.
Rick Ross is one of Drake's longest-running collaborators outside the Young Money system, dating to 'Free Spirit' on Drake's So Far Gone era and continuing through 'Lord Knows' on Take Care in 2011, 'Pop That' alongside French Montana and Lil Wayne in 2012, 'Stay Schemin'' in 2012, 'Money in the Grave' in 2019, and dozens of features across both artists' catalogs and mixtapes. The two have repeatedly described each other publicly as close friends and creative peers, and Ross has frequently been cast as the seasoned Miami veteran on Drake's records, anchoring high-flex moments with his boastful presence. The partnership cooled in 2024 when Ross released 'Champagne Moments' as a diss track during the Kendrick Lamar-Drake feud, a public rupture of one of the more durable collaborative friendships in Drake's career. Their pre-2024 catalog together is among the most consistent guest-feature relationships in his entire discography.
Swizz Beatz is a veteran New York producer and artist, long established for his high-energy, chant-driven production and his foundational work across Ruff Ryders-era and broader mainstream hip-hop. His connection to Drake's catalog sits within the wider producer-and-collaborator network of contemporary rap rather than a frequent peer-feature relationship, and any specific track-level credits should be treated as catalog-level associations rather than asserted without reliable sourcing. As one of the genre's senior production figures, Swizz Beatz represents the kind of established architect whose sonic influence runs through the broader rap landscape Drake's music operates in. This entry deliberately keeps the account conservative: the link is best characterized as part of the overlapping professional and stylistic ecosystem surrounding Drake's work, consistent with a verifiable-only standard that avoids attributing particular collaborations that cannot be dependably confirmed here.
T.I. is one of the senior Atlanta rappers Drake has referenced as influential, and the two have collaborated on tracks including 'Fancy' from T.I.'s Paper Trail in 2008 (an early-career Drake feature predating his Young Money signing) and various features across both their catalogs over the years. T.I. publicly co-signed Drake during his pre-major-label rise, including on his radio appearances and interviews, and the two have spoken about each other respectfully across their careers. Their direct collaboration count is modest compared to Drake's more frequent Atlanta partners like 2 Chainz and Future, but the pre-Young Money 'Fancy' feature represents one of the earliest moments where an established mainstream rapper made room for Drake on a hit single. T.I.'s role in Drake's career is more about co-sign and early-career validation than ongoing feature partnership.
Tems appears on Drake's 'Fountains' from Certified Lover Boy in 2021, an Afrobeats-leaning record that arrived at the moment of her global rise following 'Essence' with Wizkid. The Drake feature added significant US mainstream exposure to Tems's trajectory and contributed to the broader 2021-2022 mainstream embrace of contemporary Nigerian and Afrobeats artists. Drake has spoken publicly about Tems and her contributions across various interviews and on social media, and 'Fountains' fit within Certified Lover Boy's deliberate engagement with global pop sounds - alongside dancehall, UK rap, and Afrobeats production - that has characterized his work since More Life. Tems went on to win a Grammy for her work on Future's 'Wait for U,' and her collaboration with Drake remains one of the higher-profile US rap-side features of her early career.
Abel Tesfaye, as The Weeknd, was the foundational creative discovery of Drake's Take Care era. Drake co-signed his then-anonymous House of Balloons mixtape in 2011, and The Weeknd contributed vocals, writing, and atmospheric production to Take Care, including 'Crew Love,' 'The Ride,' and others. Notably, The Weeknd's contributions to Take Care were uncredited on the original release, a fact he has publicly discussed in interviews and on songs in subsequent years, framing it as a point of lingering disappointment despite the breakthrough exposure. The two were intermittent collaborators through the early 2010s within the broader OVOXO grouping, but their direct on-record output cooled sharply after 2014 as The Weeknd's solo career exploded. Public tension has been reported and addressed in songs from both artists' more recent catalogs, including references on each side that fans have parsed as shots or unresolved frustration. Their early collaboration remains one of the most influential creative pairings of the 2010s pop-R&B-rap era.
Wizkid is the Nigerian superstar whose collaboration with Drake on 'One Dance' in 2016 - alongside Kyla - became Drake's first number-one Billboard Hot 100 single and one of the biggest songs in streaming history. The track helped accelerate the global mainstream embrace of Afrobeats and made Wizkid one of the genre's most internationally visible artists. Drake also features on Wizkid's 'Come Closer' from Sounds from the Other Side in 2017, which extended their collaboration into a second major release. Wizkid has been publicly credited by Drake as one of the artists who introduced him to the Lagos sound, and Drake's continuing engagement with Afrobeats through features and tour bookings reflects the influence of that early partnership. 'One Dance' remains one of the most consequential Drake collaborations of the streaming era and a foundational moment in the global rise of Afrobeats into US and UK pop rotation.
Yeat and Drake collaborated on 'IDGAF' from For All The Dogs in 2023, one of the album's most commercially successful tracks and one of Yeat's biggest US-market features. The Drake co-sign came at the height of Yeat's rage-rap-influenced ascent, with his idiosyncratic vocabulary, ad-libs, and abrasive sound representing one of the more distinctive new styles in late-2022 and 2023 rap. Drake had publicly engaged with Yeat's music for over a year prior, including referencing him in interviews and on social media. The collaboration sits within Drake's pattern of pairing himself with the most attention-getting new artist of each cycle, and 'IDGAF' became a key streaming hit for For All The Dogs, peaking high on the Billboard Hot 100 and demonstrating Drake's ability to translate a niche underground sound into mainstream chart performance through feature placement.
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